The studio's unique facilities are comfortable, quiet, bright and private and have an extensive array of equipment available for hire;
Live multi-camera switching, live record, live webcast suite, broadcast/cinema cameras, green screen, audio equipment, spot lights and LED lights, tripods, light stands, sound booth,  and in-house creative team are also available for hire.

All softbox lights, light stands, and c-stands included with facilities hire.

2x APUTURE 300D II
with lighting modifiers and softbox domes.

$100 each including stand & shotbags.

Aputure’s Light Storm LS C300d II LED Light Kit with V-Mount Battery Plate is an enhanced version with 20% more power, refined features, and advanced connectivity. Aputure uses Chip on Board (COB) technology to produce a 5500K colour temperature, with power consumption of just 350W, while outputting 3500 lux of light with an efficient reflector at a distance of 9.8?. In addition to power efficiency, this fixture also has a CRI/TLCI rating of 96, indicating accuracy in colour rendering.

Features:

• Light with Controller & Power Supply
• 20% More Powerful than Original C300d
• Wireless Remote with 100m Range
• 5500K Color Temperature, CRI/TLCI: 96
• Bowens / S-Type Mount, Quiet, Intelligent Fan
• 2 x V-Mount Battery Plates
• DMX-Ready, Sidus Link App Control

LS 600D PRO
Professional 600W Daylight-Balanced Point-Source LED with lighting modifiers and softbox domes.

$150 including stand & shotbags.

Equipped with its native Hyper-Reflector, the 600d Pro can output 8,500 lux at 3 meters (10 feet). With the F10 Fresnel modifier, the combination can reach an illuminance of 29,300 lux at 3 meters in 15° spot. With a maximum power draw of 720W, the 600d Pro is on par with industry-standard HMI lights.

With high colour accuracy measurements of CRI?96, TLCI?96, CQS?95, and an SSI (D56) score of 72, the 600d Pro provides consistently accurate white light for indie filmmakers and professionals alike, upholding a colour temperature standard of 5600±200K.

The LS 600d Pro, like the other recent additions to the Light Storm lineup, has four different dimming curve options. Each of these dimming curves has a unique output behavior to tailor each light and its cues to each technician and situation at hand.

2x LightPro Fresnal LED spot Light
This light is ideal for anyone who is shooting interviews or presenters and want detailed spot control. This fresnel light allows the ability to focus the beam, and gives a broad spread of light.

2 x LightPro dual colour LED video lights
This LED gives you colour control from 3200k – 5600k making it a very versatile option for any type of video.

3x Godox AD600Pro Studio Flash Strobes with XPro Trigger (Canon & Sony)

Including use of c-stands softboxes & modifers.

$100 a day.

The AD600Pro features a high-speed sync mode that works with shutter speeds up to 1/8000 seconds, offering flash durations from 1/220 to 1/10,100 seconds. Another unique setting is its Stable colour temperature mode, which tightly controls colour to keep temperature changes within ±75K across the entire power range. Despite these impressive characteristics, it manages to keep recycling times low at 0.01-0.9 seconds for fast and reliable use, and is capable of 12 continuous pops at 1/16 power output. Finally, a 38W modelling lamp is available to help aid composition.

• 2.4 GHz wireless system with a range of 100m, featuring five controllable slave groups and 32 channels
• Guide number of 285' (87m) at ISO 100
• Can work as an optical slave with S1 and S2 modes
• Colour temperature of 5600K (±200K)
• 3.5mm sync cord slot for direct connection, wireless control port, and USB Type-C port for firmware upgrades
• First curtain and second curtain sync modes
• Dot-matrix LCD display for on-board control
• Bowens-type mount for use with compatible accessories

Sony FS7 4K cinema camera
with 28 – 135 broadcast servo lens / metabones Canon ef speed booster lens adaptor.

The FS7 is video a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on-board XQD media cards in either DCI (4096 x 2160), UHD (3840 x 2160) at up to 60 FPS or HD at up to 180 FPS.

Camera with lens only
$250 per day

Camera, lens, and camera operator
$1000 8hrs

Sony FX6 4K cinema full frame camera with Sony E 24-70 ƒ2.8
$350 per day.

The Sony FX6 is a full-frame digital cinema camera. Developed to offer versatile, cine-style imaging in a compact form. The FX6 captures up to 15+ stops of dynamic range and includes Sony’s S-Cinetone gamma for filmlike skin tones. In addition, up to 10-bit, 4:2:2 XAVC-I recording. The Sony FX6 is ideal for documentary, gimbal, and drone shoots.

The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for highly sensitive capture. This in a range of settings using a base ISO of 800. Also a high-sensitivity ISO 12800 mode for nuanced low-light scenes.

Weighing just 900 grams (under 2 lb) the FX6 body is a full 900-grams lighter than the FX9. It addition, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features for a single-operator. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus. Also, auto and manual ND filter.

Camera, lens, and camera operator
$1000 8hrs

SONY F5 4K CINEMA / BROADCAST VIDEO CAMERA

The Sony PMW-F5 CineAlta Digital Cinema Camera features an 8.9 MP Super 35mm image sensor capable of capturing 2K and HD internally in Sony’s XAVC codec onto SxS PRO+ memory cards, and 4K and 2K RAW to an optional Sony AXS-R5 external recorder. It features 14 stops of dynamic range, applicable to both RAW and XAVC recording as long as S-Log is turned on, for truly film-like rendering of highlights and shadows. The camera features a PL-mount.

Camera body (studio only)
$300 per day

Camera, lens, and operator
$1000 8hrs

DJI Ronin
Gyro camera stabiliser with extended arms for larger cinema cameras

$120 full day

Ronin + operator: $700 full day.

Live stream HD camera switcher control deck
Multi camera (5 inputs) switcher control deck with monitoring and live stream control system for live webcast and webinars or internal HD recording/ouput.

Paper cyclorama

Wally Dolly track slider 2.5mtrs
Heavy duty (tripod) track slider dolly.

Wireless lapel and boom microphones

1 x Master Auto cue tele-prompter with 3x auto cue monitors.

Heavy duty spin table
Max weight: 250kg

The studio's unique facilities are comfortable, quiet, bright and private and have an extensive array of equipment available for hire;
Live multi-camera switching, live record, live webcast suite, broadcast/cinema cameras, green screen, audio equipment, spot lights and LED lights, tripods, light stands, sound booth,  and in-house creative team are also available for hire.

All softbox lights, light stands, and c-stands included with facilities hire.